one of us
She is a ONEOFUS alum, having written and directed a short immersive play inspired by Elizabeth Fry and Ruth Ellis for ONEOFUS : WHITECHAPEL in 2012.
Her latest piece, DARLING, is an OPERA-THEATRE experience which invites audiences to help create the SOUNDSCAPE. It loosely uses the ghosts and ill-suited lovers of the 1959 horror film ‘HOUSE ON HAUNTED HILL’ as a springboard for the story, and musically, the evocative, religious organ strains of FINZI’s choir music and unearthly harmonies of FAURE’S REQUIEM and ERIC WHITACRE.
She also has an MA in Writing for PERFORMANCE & PUBLICATION from the University of Leeds and was the Yorkshire editor Whatsonstage.com.
STEPHANIE BERGER
is
a
POET.
She is also the Executive Director of THE POETRY SOCIETY OF NEW YORK and MADAME of THE POETRY BROTHEL, THE TYPEWRITER PROJECT, and THE NEW YORK CITY POETRY FESTIVAL. She is the author of IN THE MADAME’S HAT BOX (Dancing Girl Press, 2011) and translator of THE GREY BIRD: THIRTEEN EMOJI POEMS IN TRANSLATION (Coconut Books, 2014).
Stephanie’s POETRY and TRANSLATIONS have appeared in The Volta, Fence, Hyperallergic, The The Poetry, Electric Pumas, Elephant Journal, Bat City Review, Poetry Crush, Similar:Peaks, Smoking Glue Gun, La Fovea, H_NGM_N, Coconut, Interim, and other publications. Her work been reviewed in THE NEW YORKER, THE GUARDIAN, THE NY OBSERVER, THE NEW YORK POST, Poets & Writers Magazine, Styleite, Refinery 29, The Diagram, DAZED DIGITAL, Bookish, and The Poetry Foundation’s Harriet blog, among hundreds of other media outlets. Other honors include a residency from The Trust for Governors Island, grants from The Casement Fund and Hagedorn Foundation, and a 2015 &NOW Writing Award. Stephanie earned a B.A. in PHILOSOPHY and CRITICAL STUDIES at the UNIVERSITY OF SOUTHERN CALIFORNIA, received an M.F.A. in POETRY from the NEW SCHOOL, and taught in the English Department at PACE UNIVERSITY.
You can read some of HER work below:
Gentlemen Prefer Bows Over Dinner
Old-time TV over Reebok, heaven over love.
After two beers their lips part; they get very lucky.
Four Martinis later, you’re homeless in America,
carrying an old-fashioned medical bag around
like your mother’s purse. This emergency is paramount,
tantamount, it is a Matterhorn, it is an emergency,
complete and full of meaning, explicitly significant
as a white flag—
Do you ever go to the Disney castle looking for smoke
stacks, a tea house? You are climbing everything
in the field outside my vision, which is the earth,
which is the target of a disaster. Love letters
over candy. Letters over love. There is no love outside
of the letter. There is a rose outside in the garden,
and I caught a falling leaf for the first time in my life.
I cut two copies of the key to my heart,
hammered light into sound, gunned down
three of my greatest opponents with a single shot.
I predicted this catastrophe, the catacombs
beneath the chapel, keyed the hammer, hammered the leaf
into forty smaller leaves. Even this endless heaven requires
an umbrella. Even this eternity retired
and hired a timekeeper. And we are on our way up
the Cyclone, the hurricane is coming. We are embarking
upon the Titanic on its third voyage across
the bottom of the sea, and we will wake up in different
hospitals, end up living in different palaces, one of us might
even camp outside for the night for the romance. The sun
also rises over ten different cities at once. You are climbing
everything in the field outside my vision
with the luck of a leaf. Stuck in seagrass, we flounder
like in the movies. At the end, after the great
disaster, we still take showers, get clean
and have our coffee, a small loaf of bread, and we eat it
with a fork and knife, gentlemen that we are.
AND SO IT IS BECAUSE OF THE LICHEN
Gathering the facts like so many
bones. They make a good tool
for telling you I am in love. With
the flint, I tear one open, climb in,
and speak: hold me close like a crucifix
above the river. I cannot cross it the way
I would my heart. In certain chambers,
the water pooled and stood. Day by day,
you recount your disillusions. You drink
from one spring & then the next. I have
remarked in women a curious ability
to embroider the facts. To get at the truth
I have been compelled to treat them as
pathological. What are her threats
but testimonies of love? That sincerity
she strewed about her as seed is
strewn and up grew a trampled flower.
Gathering the facts like so many flowers,
I just don’t like the water in the air
anymore. Stay on the ground. Let
your feet touch the bottom of the
spring, gaze longingly. These are
your instructions. It’s all you have
to do. He will love you too. You
will have a home. But I am scared
to descend. What if I hate it there?
So many birds in the air, pictures
in the rocks. It is vertiginous. Why
do they make it here, rather than
there? Because of the lichen, it is
impossible to see the footprints of
a child with the natural eye. His
life can be impenetrable because
of the footprints of his children
beneath the lichen. The sun is out &
water falls upon my head. My heart
takes leaps because of the lichen.
is
an
ARTIST.
She graduated from CENTRAL SAINT MARTINS in Fine Art. Her work, often SITE-SPECIFIC, focuses on the use of TIME, DURATION, MOVEMENT and ACTION as central material properties in the making of ART. Primarily through VIDEO, DANCE and ACTION, she investigates a CRITICAL DIALOGUES between PERFORMANCE and RECORDING PLAYBACK TECHNOLOGIES.
She is currently studying CONTEMPORARY DANCE PERFORMANCE in OSLO and runs FISKEFORRETNINGEN, a studio and gallery space. CHECK OUT SOME OF HER WORK BELOW.
TAPT TID
Film collaboration with Sive Hamilton

http://anariaza.com/post/95903358780/moon-rock-is-a-collaborative-project-between
Printed in collaboration with Après Midi Lab
http://www.apresmidilab.com/eng/risograph.html
TBW
Sculpture installation, on-site at Trinity Buoy Wharf,
in collaboration with Victoria Jones.
VB is a ONEOFUS alum, having performed in our first festival ONEOFUSWHITECHAPEL as well as contributing some of her work to this years HALLOWZINE PART II. In the shoot she wears a number of vintage pieces sourced in LONDON OSLO and NEW YORK. WE were inspired by WITCH BITCHES in the forest and Japanese artist NOBUYOSHI ARAKI.
is
an
ARTIST.
He was born in TIMISOARA, RUMANIA, 1960 to GERMAN parents. When NICOLAI CEAUSESCU rose to power in 1964, the ZIPPELS decided that an URGENT relocation was necessary and chose to settle in
HEIDELBERG, Germany to begin life anew.
EGON studied GRAPHIC DESIGN at the UNIVERSITY OF MANNHEIM; then received a Fulbright Scholarship to GEORGETOWN, Washington D.C. 1984-85 and the UNIVERSITY OF AUSTIN. In the years that followed, Egon studied computer graphics at the NEW YORK INSTITUTE OF TECHNOLOGY and continued his postgraduate studies at the INSTITUTE OF NEW MEDIA at the STAEDEL ART ACADEMY in FRANKFURT 1993-94.
In the early 90s he moved to ITALY and returned to NYC in 1996. He also maintains a studio in BERLIN.
Egon believes in both PREDETERMINATION & FREE WILL. He wrestles with this CONTRADICTION daily and keeps his life COMPLEX.
Have a look it his work below:
Hope Entangled
Broadway Boogie Woogie
214 : For Location
Ornamental and Techno Ding
RICHARD HOOBAN runs the ZERO FILM FESTIVAL & ZERO PARTIES in NEW YORK. The film festival has travelled round the world and is the first and only festival EXCLUSIVE to self financed filmmakers and the authentically independent films they create. We ❤ ZERO and quizzed Rich on his EMPIRE this week.
ONEOFUS: Can you tell us a bit about Zero Film Festival and Parties?
Richard Hooban: Zero Film Festival is the first and only festival exclusive to self-financed filmmakers.I started the festival 7 years ago in a warehouse in downtown Los Angeles to have a place for authentically independent filmmakers to share their films because film festivals tend to only program big budget hollywood fare.
From there Zero Film Festival kept organically growing to other cities as our community of filmmakers grew and I soon moved the festival to New York, which is a better fit for Zero aesthetically and culturally.
Zero Parties came from my having a bunch of sound equipment and projectors in my loft I was only using once a year, and I thought, well, if I can convince a bunch of people to come to a warehouse to watch a bunch of films from filmmakers and actors they have never heard of, then having some electronic music and throwing a big warehouse party should be easy. It also offered me an chance to experiment a bit with non-narrative visual art installation/curation elements which I find very interesting.
ONEOFUS: How did you come up with the brand and why?
RH: Zero comes from “zero budget” so really, the film festival is the “Zero Budget Film Festival” but everyone just called it to Zero instead. The brand itself had a lot of different forms and its evolved over the years, and the Zero just seems to stick whereas logos and theme tend to come and go.
Zero also invokes the ideas of cycles, circles and loops, and as the festival happens throughout the world on a near monthly basis, the name is a fit metaphorically as well.
ONEOFUS: What’s your story/trajectory?
RH: No comment.
Keep them guessing.
ONEOFUS: Advice for aspiring entrepreneurs?
RH: Make mistakes. That’s rule number one. Rule number two, it takes more time to be successful with originality but its this same ingredient that will build something that will last.
You have to go all in. You have to put all of your time into it. There is no sleeping. Prepare to make sacrifices. If you can’t go without sushi or new shoes, starting a business, perfecting a craft or making a film isn’t for you.
ONEOFUS: What’s next for Zero?
RH: Moon. We plan to go to the moon.
ZERO’S WINTER WONDERLAND PARTY IS THIS SATURDAY. SEE YOU THERE!
UNTITLED QUEEN
aka
MATTHEW DE LEON
is a
VISUAL ARTIST,
DRAG QUEEN
& GRAPHIC DESIGNER
who lives and works in BROOKLYN. She was born and raised on GOVERNOR’S ISLAND, NY until its shutdown in 1996. She received her BFA from the UNIVERSITY OF CONNETICUT and her MFA in visual arts from PARSONS, THE NEW SCHOOL FOR DESIGN. She is a GRAPHIC DESIGNER @ BRIC, a cultural organization in Brooklyn.
WE shot her as she got ready for BOTTOMS UP, a weekly UNDERWEAR PARTY, with her cohort LADY SIMON.
TAKE A LOOK SEE and some of her fabulous work below:
The boyfriends are separated for the summer; The actor away at summerstock, and the artist at home in the apartment. In a duet apart, they search for each other in song.
Credits:
performed by Matthew de Leon and Adam Kee
edited by Matthew de Leon
Song:
“Somewhere Out There”, 1986
copyrighted and written by James Horner, Barry Mann and Cynthia Weil
Me and the Standards
Chain Gang
Ribs
Candy Weighing Both My Pockets
Millions of Crushes
She COHOSTS a monthly drag show on the 2nd thursday of every month called CALENDAR GIRLS with LUCY BALLS @ TNT in Williamsburg.
CHECK OWT
matthewdeleon.com
BEN BRAUN is
a
SALES AGENT.
He works for SUBMARINE: a sales/production company specializing in DOCS and FILMS in NYC.
With quite a pedigree, the partners have worked with director GREG ARAKI, video artists NAM JUNE PAIK, played in punk bands with THURSTON MOORE & JIM JARMUSCH. BEN is in the video for SONIC YOUTH’S SACRED TRICKSTER.
They also own the rights to HORROR comic CREEPY & EERIE.
Recent film distribution projects have included POLANSKI’S lost documentary WEEKEND OF A CHAMPION [which is very apt as BEN LOVES CARS], the Oscar winning 20 FEET FROM STARDOM and the OSCAR nominated CHASING ICE, BLACKFISH and CUTIE AND THE BOXER among innumerable others.
BB also oversaw production of the 30th Anniversary DVD release of CULT classic, Charlie Ahearn’s WILD STYLE.
Ben can be found at most major film festivals selling his wares or Pennsylvania or the Submarine office in Chinatown. He may or may not be wearing R.J MACREADY’S jacket from JOHN CARPENTER’S THE THING.



























